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    I need the thunderstorms like the mountains do
    Susana Caló and Isabel Carvalho
    Leonorana, Isabel Carvalho
    07/12/2023
    #caring
    Intervention models for the safe consumption of psychoactive substances
    Cristiana Vale Pires, on behalf of Kosmicare, and Isabel Carvalho
    Leonorana, Isabel Carvalho
    29/11/2023
    the quest #caring
    Stones and the energy of transmutation
    Pedreira and Isabel Carvalho
    Leonorana, Isabel Carvalho
    27/10/2023
    the quest #caring
    A Broader Field
    Andreia Magalhães and Isabel Carvalho
    Leonorana, Isabel Carvalho
    27/10/2023
    the quest #caring
    Luisa Cunha: Make Art Do Nothing Make Art Do Nothing Make Art Do Nothing
    by Joshua Decter
    Luisa Cunha, maat, 2023
    Hello! Are You There?
    24/10/2023
    #glossary
    Ana Cardoso’s Leaky Abstraction: Pure Abstraction in the Kitchen
    by Maika Pollack
    Madrugada-Raiada, Ana Cardoso
    Leaky Abstraction
    24/10/2023
    #glossary
    Ana Cardoso: Empathetic Angles
    by William J. Simmons
    Leaky Abstraction, Ana Cardoso, maat, 2023
    Leaky Abstraction
    13/08/2023
    #glossary
    It Turned Out Pretty Well
    Nina Paim and Isabel Carvalho
    Drawing Isabel Carvalho Leonorana
    03/08/2023
    the quest #caring
    Symptoms Are the World Speaking
    Susana Caló and Isabel Carvalho
    Drawing Isabel Carvalho Leonorana
    A special issue of Leonorana magazine on maat extended
    10/07/2023
    the quest #caring
    Script for an (imagined) tour
    Susana Ventura with Didier Fiúza Faustino
    Too L... for Tomorrow, Didier Fiúza Faustino (2022). Photo: Bruno Lopes
    EXIST/RESIST – Works by Didier Fiúza Faustino: 1995–2022
    05/04/2023
    #architecture #civicspace
    In a land of distant lights
    Nuno Cera in conversation with José Mouro
    Distant Lights, Nuno Cera, 2021
    In the context of “Distant Lights”, Nuno Cera’s exhibition at maat
    31/01/2023
    #ethicsofseeing
    Notes on privilege, bodies, statues and the public sphere
    Essay and drawings by Susana Gaudêncio
    Empty Exhibit cases, maat, 2022
    Empty Exhibit Cases
    21/12/2022
    the quest #decoloniseeverything
    Seeing Is Subject. Unlearn the System
    An essay by Maribel Mendes Sobreira
    Empty Exhibit Cases
    Empty Exhibit Cases
    21/12/2022
    the quest #decoloniseeverything
    Freedom, Art, Revolution: The Mural of 10 June 1974
    Filipa Lowndes Vicente
    Slides mural 10 june
    48 artists, 48 years of democracy
    16/12/2022
    #civicspace #commoning
    Interferences. Emerging Urban Cultures
    Words by António Brito Guterres, Carla Cardoso and Alexandre Farto
    Interferences, maat, 2022
    16/09/2022
    #civicspace #decoloniseeverything
    Ken Isaacs, the Matrix and the Establishment of the Quintessentially Modern
    Susan Snodgrass on Ken Isaacs and his Knowledge Box
    Installation view: Ken Isaacs, Knowledge Room, Hippie Modernism: The Struggle for Utopia, Walker Art Center, Minneapolis, 2015. Photo: Greg Beckel for Walker Art Center. Courtesy: Walker Art Center.
    Echoing the Groundworks timeline and the Visual Natures mapping: 1962
    17/08/2022
    explorations #groundworks
    The Rule of No Rules
    Gene Bernofsky and Richard Kallweit Reflect on Drop City
    Drop City
    Echoing the Groundworks timeline and the Visual Natures mapping: 1965–1973
    05/08/2022
    explorations #groundworks
    The Algarve beyond the fishing nets
    Leva leva, photo Michel Giacometti
    Leva-leva, a project by FLEE
    22/07/2022
    #sonicactivism
    Public Journal Entry [wa-wa-walking]
    An essay in three parts by Susana Pomba
    Exhibit case at the United States National Museum, now known as the Arts and Industries Building, 1880s, USA. © Smithsonian Institution Archives. Image # SIA-MNH-3491.
    Empty Exhibit Cases
    14/07/2022
    the quest #decoloniseeverything
    Climate Justice in the Time of Green New Colonialism
    Interview with T. J. Demos
    Climate Emergency > Emergence, 2021
    Climate Emergency > Emergence
    29/06/2022
    explorations #decoloniseeverything
    The 10 June Mural or the Passage to the Act
    Text and photos by Ernesto de Sousa
    Celebration of the 10th of June: painting on the collective mural of the Movimento Democrático dos Artistas Plásticos (Democratic Movement of Plastic Artists), in the People's Market in Belém, 1974. Photo: Ernesto de Sousa (1921–1988). Courtesy of Câmara Municipal de Lisboa, Divisão Arquivo Municipal/Fotográfico
    48 artists, 48 years of democracy
    30/05/2022
    #civicspace #commoning
    Rejecting the Nature/Culture Dichotomy
    An interview with Robert Horvitz, arts editor for the Whole Earth
    Al-Perrin-pasteup (photo by Stewart Brand, 1974)
    Echoing the Groundworks timeline and the Visual Natures mapping: 1968
    27/04/2022
    explorations #groundworks
    “Step gently on the ground”
    Words by Carla Juaçaba, the architect behind the installation design of Visual Natures
    Visual Natures, maat, 2022
    Visual Natures: The Politics and Culture of Environmentalism in the 20th and 21st Centuries
    22/04/2022
    explorations #earthbits
    Multinaturalism 2010 – present day
    by Beatrice Leanza
    Visual Natures, Multinaturalism, maat, 2022
    Visual Natures: The Politics and Culture of Environmentalism in the 20th and 21st Centuries
    07/04/2022
    explorations #earthbits
    The Planetary Complex 1990 – 2010
    by Beatrice Leanza
    The Planetary Complex, 1990 - 2010
    Visual Natures: The Politics and Culture of Environmentalism in the 20th and 21st Centuries
    29/03/2022
    explorations #earthbits
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